Antonio Hopson writes with the sense and instincts of a Jack Keruoac, combined with the cultural eye for detail of a Chuck Klosterman. All five senses thrive when reading his prose which moves through you like the Snoqualmie River itself.
Jon Horowitz
The Wonder Boy Review
Antonio Hopson writes with a subtle power and a minimalist’s sense of economical prose. His affecting style comes on slowly and dances beneath the surface, evoking abstract emotions that stretch beyond the short boundaries of his flash-fiction. Layered and dense, his writing belongs to the prose genre but employs the artistic precision of poetry.
–Mike Dell’Aquila, Editor, Farmhouse Magazine
Antonio's writing in "Animal Cookies" is a magical web of sexy and poetic prose. Readers feel as though they are connected to each sentence in a powerful dance[.]
–Darin Hadley, Editor, Outcry Magazine
Our fiction editor Ryan [H] sent me your sexy biker story told by
Mississippi Charlie. I love it! It's pace, the setting, everything is
right
on with what we're doing here at the Old Growth journal.
I simply wanted to thank you for submitting such radical work[.]
–Editor, Old Growth Journal
In "A Murder of Crows" Antonio Hopson presents us with a stark urban parable reminiscent of Kafka and, to a lesser extent, Charles De Lint. In this story, seemingly quotidian details build to color a stark landscape wholly other than ourselves. Yet, at the stark crescendo of the tale, Hopson deftly suggests that the distance between ourselves and his feathered protagonists is not, in fact, so far as we would prefer to imagine.
– Ward 6 Magazine
–Creation: A Literary Journal
into a surreal landscape.
–David
Fraser, Editor Ascent Aspirations Magazine
Represented by The Ferguson Literary Agency
